柴可夫斯基 – 胡桃夾子: 芭蕾與瑪麗·林德奎斯特 & 安德斯·諾德斯特倫 (瑞典皇家歌劇院, 1999)

From the Royal Swedish Opera, Stockholm, 1999
Tchaikovsky‘s eternal classic The Nutcracker by the Royal Swedish Ballet and the Royal Swedish Opera Orchestra

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Soloists:
Uncle Blue’s Maid – Marie Lindqvist
The Charcoal Burner / The Prince – 安德斯·諾德斯特倫
Peter – Jens Rosén
Lotta – Alexandra Kastrinos
Uncle Blue – Weit Carlsson
Aunt Brown – Charlotte Stalhammar
Aunt Green – Helene Perback-Lindgren
Aunt Lavender – Kristin Kage
The Mouse King – Mats Jansson
The Snow Queen – Eva Nissen

Royal Swedish Ballet
Choreography by Pär Isberg
Royal Swedish Opera Orchestra
Renat Salavtov – 導體

Pyotr Ilyich Tchaikovsky (1840-1893) – The Nutcracker (Or Petter and Lotta’s Christmas)
章節:
0:00 The Nutcracker (Or Petter and Lotta’s Christmas)
1:00 序曲
4:16 第一幕
47:46 Act II
48:08 Act II The Magic Castle of the Land of Sweets
51:00 Act II The Arrival of Clara and the Nutcracker Prince
54:22 Act II Spanish Dance
55:45 Act II Chinese Dance
1:02:33 Act II Trepak – Russian Dance
1:03:50 Act II Pas de trois – Dance of the reed pipes
1:06:30 Act II Dance
1:09:35 Act II Waltz of the Flowers
1:15:35 Act II Pas de deux – Intrada
1:21:48 Act II Pas de deux – Tarantella
1:22:51 Act II Pas de deux – Dance of the sugar plum fairy
1:25:35 Act II Pas de deux – Coda
1:27:18 最終的 – Waltz and Apotheosis

Among the history of the Royal Swedish Ballet, founded in 1983, the Nutcracker, was already the fifth rehearsal of this piece. It had its premiere in December 1995 and was created by the then 40-year-old Pär Isberg, who was a member of the company as a soloist and is now an international choreographer. Isberg used the children’s book Petter and Lotta and Christmas by Elsa Beskow, which is very popular in Sweden, to replace the Hoffmann characters with characters from Swedish folklore. Uncle Drosselmeier, for example, who brings the two children the Nutcracker as a Christmas present, is Uncle Blue in this case, and the Nutcracker turns out to be a charcoal burner who turns into a prince and dances the great pas de deux with the uncle’s maid at the end – a very special, fascinating reading of this timeless ballet classic.

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