Van Gogh As a Guide to Confidence

在 1888, a penniless Dutchman, who would in a few months be committed to an asylum and be dead within two years, sat down in the eastern corner of the Place du Forum in Arles and set to work on one of the most astonishing and beloved paintings ever made. The story is so familiar that we are apt to lose sight of its ongoing relevance and universal import…
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進一步閱讀

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“In mid-September 1888, a penniless Dutchman, who would in a few months be committed to an asylum and be dead within two years, sat down in the eastern corner of the Place du Forum in Arles and set to work on one of the most astonishing and beloved paintings ever made. ‘Café Terrace at Night’ juxtaposes our snug night time rituals under our defiant man-made lamps with the ultimate mysteries and sublimity of the cosmos.

但是, as we know, Van Gogh found no buyers for his masterpiece; no museum came begging, no gallery gave a damn. His work appeared wholly worthless to his entire era. He could barely afford lunch or a new pair of shoes. The local children mocked him. Rarely has a more despised or marginal figure walked the earth…”

當我們面對——通常是相當突然的——在我們看來是激進的自私時，爭論往往會開始

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當我們面對——通常是相當突然的——在我們看來是激進的自私時，爭論往往會開始

當我們面對——通常是相當突然的——在我們看來是激進的自私時，爭論往往會開始:

當我們面對——通常是相當突然的——在我們看來是激進的自私時，爭論往往會開始: https://當我們面對——通常是相當突然的——在我們看來是激進的自私時，爭論往往會開始
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學分

與合作製作:

Natalia Beigaj
https://www.nb-animation.com/

與合作製作的標題動畫

淡水河谷製作公司
https://www.valeproductions.co.uk/