Home B1.世界美術館紐約MOMA美術館 Art as concept: Duchamp, In Advance of the Broken Arm

Tronick’s Still Face Paradigm

Tronick’s Still Face Paradigm

Representation and abstraction: Millais’s Ophelia and Newman’s Vir Heroicus Sublimis

Representation and abstraction: Millais’s Ophelia and Newman’s Vir Heroicus Sublimis

Art as concept: Duchamp, In Advance of the Broken Arm

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Representation and abstraction: Millais’s Ophelia and Newman’s Vir Heroicus Sublimis

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Nightingales and nightmares, Max Ernst and Dada

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Nightingales and nightmares, Max Ernst and Dada

A new world after the Russian Revolution: Malevich, Suprematist Composition: White on White

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A new world after the Russian Revolution: Malevich, Suprematist Composition: White on White

Giacometti, The Palace at 4 a.m.

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Giacometti, The Palace at 4 a.m.

Picasso, Les Demoiselles dAvignon

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Picasso, Les Demoiselles d’Avignon

Ad Reinhardt, Abstract Painting

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Ad Reinhardt, Abstract Painting

Robert Rauschenberg, Bed

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Robert Rauschenberg, Bed

Jasper Johns, Flag

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Jasper Johns, Flag

Dali, The Persistence of Memory

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Dali, The Persistence of Memory

Picasso, Guitar

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Picasso, Guitar

Representation and abstraction: Millaiss Ophelia and Newmans Vir Heroicus Sublimis

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Representation and abstraction: Millais’s Ophelia and Newman’s Vir Heroicus Sublimis

紐約MOMA美術館

Art as concept: Duchamp, In Advance of the Broken Arm

Marcel Duchamp, In Advance of the Broken Arm, 1964 (fourth version, after lost original of November 1915) (MoMA). A conversation with Sal Khan & Steven Zucker. Created by Beth Harris, Steven Zucker and Sal Khan.

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